Rethinking Islam with Sultan Shahin

Islamic Culture

12 Apr 2011, NewAgeIslam.Com

Indomitable Ghalib
	This was just an expression of his humble nature, otherwise his poetry was beautiful. Volumes could be written about his work, but today I would like to introduce an extremely important and not easily available work. I believe it is the first Urdu translation from Persian of Ghalib’s own preface to his Urdu Divan. This information, together with the Urdu and English translations, has been sent to me by my dear friend, Dr Sarfraz Khan Niazi, son of that great Urdu scholar of the subcontinent, Allama Niaz Fatehpuri, who was royal librarian in Bhopal and who was decorated with the highest civil award of Padmabhushan by the Indian government. Dr Sarfraz Khan Niazi is a biochemist and genetic engineer by profession and has written extensively on this subject. Dr Sarfraz Khan Niazi has done an invaluable service to Ghalib by the translation of his preface to his Urdu Divan. The language used in the original was so difficult that publishers refrained from printing it, but it should be introduced to Ghalib’s fans. -- Dr A Q Khan

Indomitable Ghalib

By Dr A Q Khan April 11, 2011 Ghalib was India’s best known Urdu and Persian poet. Ghalib was a mentor of the last Mogul emperor Bahadur Shah Zafar, who was an accomplished Urdu poet in his own right. Mirza Asadullah Khan Ghalib suffered much during and after the War of Independence. No other poet has been read and loved as much as Ghalib by Urdu- and Persian-speaking people. No other poet reached the heights achieved by Ghalib, though he himself profusely praised Momin, Mir and Bedil. The language he used was rather difficult to understand, even by learned scholars of his day. Hakim Aish once taunted Ghalib with these words: Agar apna kaha tum aap hi sanjhe to kia sanjhe Maza kehney ka jab hey ik kahe aur dusra sanjhe. Zaban-e Mir samjhe aur bayane Meerza sanjhe Magar apna kaha yeh aap sanjhen ya Khuda sanjhe. (If only you understand what you write, what is the advantage It is nice if you write and others understand Language of Mir and description of Mirza should be understood But he either himself or the God understands what he writes Translated by- Edit Desk, NewAgeIslam.com) Ghalib, somewhat frustrated at this, complained: Na sataish ki tamanna na siley ki perwa Gar nahin hen merey ashaar men maani na sahi. (I care not for Praise or Prize If my couplets have no meaning, so be it Translated by Edit Desk, NewAgeIslam.com) This was just an expression of his humble nature, otherwise his poetry was beautiful. Volumes could be written about his work, but today I would like to introduce an extremely important and not easily available work. I believe it is the first Urdu translation from Persian of Ghalib’s own preface to his Urdu Divan. This information, together with the Urdu and English translations, has been sent to me by my dear friend, Dr Sarfraz Khan Niazi, son of that great Urdu scholar of the subcontinent, Allama Niaz Fatehpuri, who was royal librarian in Bhopal and who was decorated with the highest civil award of Padmabhushan by the Indian government. Dr Sarfraz Khan Niazi is a biochemist and genetic engineer by profession and has written extensively on this subject. Dr Sarfraz Khan Niazi has done an invaluable service to Ghalib by the translation of his preface to his Urdu Divan. The language used in the original was so difficult that publishers refrained from printing it, but it should be introduced to Ghalib’s fans. I am privileged to be able to reproduce the English translation here, thanks to Dr Niazi and thanks to the wide circulation within the country and abroad of The News and those of you who read my columns. Translation of Ghalib’s Preface in Persian to his Urdu Divan: “The fragrance-appreciating palate is invited, and glad tidings are offered to the genius of the assembly-sitters that some sources have become available for dissipating fragrance by burning aloeswood in the thurible and even some Indian aloeswood has come into hand. Stone has not cut this aloeswood, nor has it been broken crudely or carved haphazardly; instead it has been cut by an axe, and properly separated into pieces by a knife and finely carved by a file. Now the desire for taste is moving so fast in the search for the Zoroastrian’s fire that it is losing its breath. The search is not for the fire that has been extinguished in the Indian furnace and having turned into a fistful of ashes, providing a proof of its extinction; neither is it dependent on satisfying hunger from the bones of the dead for its impiety; nor because of the lunacy of hanging to the wire of the extinguished lamp on the grave. This fire can neither melt the hearts nor can it brighten the assembly. One creating fire from his talent and the fire-worshipper burning in fire for his bad deeds, know it well that the seekers are impatient to get this radiant fire that has been taken out of stone to present it to (King) Hoshang and which dazzled day by day in the royal court of (King) Lahrasap; that fire which is a flare for the blaze of straw, the colour for the tulip, an eye for the fire-worshipper and a lamp for the temple of idols. This humble one is thankful to God Who makes hearts warm with speech; a spark of that brilliant fire this humble one has found in his ashes; and, so through this, the hammering of the breast has increased and began to billow over this spark with his breath. It is hoped that in a few days, it turns that the brilliance of the light of the lamp would be in the thurible and would give wings of a fast bird to the fragrance of aloeswood to quickly reach out and perfume the palates. “This humble writer desires that after making this selection of ghazals from the Urdu Divan, he would turn his attention to his Persian Divan, and after having achieved this feat he would keep sitting having his feet broken. “I hope that the litterateurs and also those who appreciate my work would not declare my scattered pages, which are not included in this divan, to be the result of the wetness of my quill and would not oblige the collection of my writings with praise of those verses, nor would they carve blame on me for their adaptations. “O Lord, this is the smell of a being never heard of, and not coming to existence from non-existence; that is, the carving is bringing out the conscience of the carver that Asadullah Khan is alias Mirza Nosha and of nom de plume Ghalib, born in Akbarabad and resident of Delhi, finally let him be buried in Najaf (22 Dhi-Qa’dah, 1248 HA/11 April, 1833).” (Dr Niazi’s note: In 1833, Ghalib wrote a preface to his Urdu Divan and, keeping with the tradition of writing the preface in a different language, Ghalib chose Persian, just like Rumi chose Arabic for the preface to his Persian poetry. Like his poetry, the prose Ghalib wrote was difficult to understand, as he used many words that were not even in common usage; this resulted in numerous typographical mistakes in the Persian manuscript and forced the publishers to redact this significant contribution by Ghalib. I have provided an English translation as best as possible, given the inevitable difficulties of interpreting rare idioms, compound words and Ghalib’s own vocabulary.) Prof Dr Sarfraz Khan Niazi lives in Deerfield, Illinois, USA. He is actively engaged in teaching, research and consultancy. He regularly visits Pakistan and gives me the pleasure of seeing him. The two books, Love Sonnets of Ghalib and Wine of Love are a treat to read At present, Dr Niazi is translating Ghalib’s Persian poetry into English. I am sure it will be a valuable work. As far as Ghalib’s work is concerned, it is enough to reproduce what he said about himself: Hain aur bhi dunya men sukhanvar bahut acche Kehte hain keh Ghalib ka hey andaz-e-bayan aur (There are many better Poets in the world People say Ghalib has his own style of writing Translated by Edit Desk, NewAgeIslam.com) Source: Columnspk.com URL: http://newageislam.com/NewAgeIslamIslamicCulture_1.aspx?ArticleID=4436